Our film-poem takes a new turn this week, as archive footage contributed by Wilf Wilson is spliced into the mix. When imagery of war appears inside the confines of what has so far been a domestic setting, what is the psychological impact? Where is this story going? Take a look at the film so far, and then read the verse for week five. We want your 20 second film clip to take us forwards!
Cherophobia: an Autumn Journal from Joanna on Vimeo.
Week 5 prompt is this –
We need 20 seconds of footage that reacts to this verse, but it doesn’t have to be a direct illustration of it. Bring us something that speaks of challenge, or bursting? Remember to film it in landscape orientation, and email it to email@example.com by 5pm on Friday 1st May.
This week’s clip is provided by Lilly Flypchuk, whose daily lockdown walk takes her along the banks of the upper Tyne.
Looking at how the film is progressing, it’s really interesting to notice how the mind forges links between the words of the text and images that may seem quite unconnected. In week one, there was a clear link between Ali’s film (light shining through a glass tumbler) and Jo’s words “dim light on a glass of brandy”, but also the way the light twisted and turned seemed to fit well with the text “incoherent babble”.
Natalie’s footage used spoons, which weren’t mentioned in Jo’s poem at all, but their silver shininess chimed with “kept for best”, the domestic nature of the object matched with “cupboarded”, and of course their Hall of Mirrors reflections gave us the “face…but folded”.
This week we see a river whilst reading “pond reeds” and our mind puts the sense impressions together. When the text gets to “fresh out of the cellophane” the transparent glisten of the water becomes the plastic wrapping – or it at least it did in my mind!
Have a look for yourself, and then please do spend 20 seconds this week recording a clip for verse 4, using these guidelines.
Week 4 prompt:
The collaboration continues with verse 2 of Jo Colley’s poem Cherophobia: An Autumn Journal (from her latest collection Sleeper) and a film clip supplied by Natalie Scott.
At the end of this 11-week renga, we will smooth out the final edit, record a definitive version of the vocal track, and add a unifying musical score. But for now, take a look at how the draft is developing…
…and then why not try your hand at a little phone-video-clip for the next verse? Read the full instructions for how to submit a piece of film, and the next verse awaiting your visual responses is right here.
Huge thanks to Alison Raybould, who provides us with the very first piece of video footage for this new collaborative project!
Take a look at what we’ve got so far:
You now have until 5pm this Friday 10th April to send us the next 20 second clip, responding to verse 2:
a face I know to be yours
but folded away, cupboarded
kept for best
Full info and instructions on how to submit your film snippet are here. Really looking forward to seeing what comes next in this visual daisy-chain!!