Coming out in Material Magazine this week…

Timewaster

 

‘Sorry’

the man on the train says

‘for asking, but

are you a writer?

I’m a writer.

Sci-fi fantasy.

I don’t believe in happy

endings, such a cliché.

In my book, everybody dies

after three

thousand pages.’

 

‘Sorry,

sorry to disturb you

I’ve been

writing my book for ten years

since I was sixteen.

Unfortunately

I’m off to work, insurance

for my sins.’

 

I ask him when he writes

and he says he hasn’t written anything

for five years.

His eyes roll

little wet pebbles

his eyes gape

little fish pleading

with me not to say the bleeding

obvious –

if you haven’t written for five years

you’re not a writer.

 

‘Sorry’

he says

‘I’ll let you get on’

He watches me make notes

for five minutes, and says

‘that seems like a lot

of work

for a poem.’

Dugong

This is a re-worked version of a NaPoWriMo 2013 poem, I’m trying to get it ready to submit for publication somewhere, so all comments and feedback are especially welcome. The original version is here, if you’re interested…

The mall is full of dugong,

Basking gently in the atrium of filtered light,

This temperate zone, these grazing pastures.

Flippers on the handlebars of grand-nippers,

At whom they smile, bewildered, but kind,

Floating tenderness to the youngest

Of the Family Dugongidae.

 

Dugong spend much of their time alone,

Great, grey, chamois-soft, slump-shouldered bulks

Navigating zeppelin-slow through the aisles

Of the twenty-four hour Asda,

Pondering the mysteries of couscous,

Considering treats for little visitors.

 

Dugong spend much of their time in pairs,

Rootling with their bristled, sensitive snouts

For nice cups of tea and a scone,

Though they are sometimes seen

Gathered in large herds,

To do taichi at the community centre.

A synchronised dugang,

Fluked tails moving patiently

Through Needle On The Bottom Of The Sea.

 

Dugong dugon of the family Dugongidae!

Come and pass your undemanding eye

Over the paintings from the Gray Collection,

Here at our local gallery.

I know you will pause

At the Victorian child, pink muslin and ringlets,

Her giant St Bernard dog, its head huge on her lap.

I know in your great, grey, chamois-soft heart you understand,

The restful weight of trust,

The touch of small-fingered hands.

 

 

Collage – first draft

Summerlight flicks, the edges of London,

Sparks on glass-blades, city spires,

Smithereens of past, shards of future,

Gilt crust, glamourdusk , quick flash-fires.

Greenwich, we say. Thick in the waterbeds,

Maidenhair sinewaves, mechanized wash;

Old man river rolling shingle on a blue tongue,

Popping candy, lost slang, memories, tosh.

The pub we sit in, burnished planking,

Orchestrated mismatch, pristine scuff;

Raise a glass to owning it, scotch eggs a fiver,

Nowadays a feast is as good as enough.

Niggardly futons, in the flats of longago,

Fistholes in plaster, scrag-end of lust,

Bargain-bin fabric pinned against windows,

Rose light, clementines, fag ends, dust.

Snaith’s Field – second draft

Tag-team boys write themselves

Large on impossible flyovers, claiming

Names slapsimple, direct as punches,

All for kicks, feral afternoons,

Late sun and dares taken

Filling out their scrawny chests

Like the smell of hot wood

inside the potting shed.

Spray-cans, brotherhoods bloom

Here where the wildflowers scribble

Over the edges and it is observed

But never dissected, hedgehog

Carcasses poked with sticks.

Not really dressed for wing-walking,

The girls wait for them at Snaith’s Field

Wrapping their slouches round swing chains,

Editorial spread for Diamond White,

Accessories by Lambert & Butler.

They never attempt a perfect dismount

From the still top edge of the upward arc,

Not even when they are alone. Apart

From anything, bodies are harder to look at

When in motion. And to fall, to fall, no, no…

The others won’t hold the sheet tight for you,

They will only watch, then cut their eyes away.

A decade ago, before they were female,

They were bodies, bodies running

Through this same field, but spangled

With daisies, hundred of push-pop petals

As if summer is a snow-globe

And they are the glitter, forever

Running towards the far side, the whole body

A reaching hand so open, so infallible

Of course it grasps the finish tape

With everything else, as much blue sky

As you can eat, and this field, this field

As big as a field ever was, filled

With an eternal ovation of daisies.