It’s small, about 18cm high maybe? Just looking at it, there is a classical, visual beauty in the proportions and the terracotta. But when you pick it up, the perfection of its balanced weight is breathtaking.
The second of my four digital poems for ceramic pieces in MIMA was written for a tazza, or serving dish on a pedestal and foot, wheel-turned out of earthenware by ceramicist Annette Fuchs. It made me imagine Roman society and murals, which in turn led me to think about Pompeii and Herculaneum. Pliny the Younger described the cloud of smoke that preceded the eruption of Vesuvius in 79AD as “a pine tree, for it shot up to a great height in the form of a very tall trunk, which spread itself out at the top”, a description which reminded me of the tazza shape. On this tazza, a pale razor-blade-shaped void has been left in the red surface, perhaps deliberately, as superstitious people will sometimes add a smudge to their make-up so the gods don’t get jealous…
This poem has had a couple of concrete incarnations – the one above, which I made especially for this blog post, and the version in the micro-pamphlet handout produced by MIMA to accompany the exhibition, which had eight stanzas each shaped like a tazza. Can you guess where the stanza- and line-breaks came?
This extract from the visuals of the digital poem should give you a clue!
This is again made in Canva videos, using a textured background duplicated and flipped mirror-image along a vertical axis to enhance the tazza-shape of the stanzas. I then overlaid the texture with a free clip of a puff of smoke, to foreshadow the eruption of the volcano. The film clip was actually in a long, thin, landscape orientation. I have enlarged it, flipped it the portrait orientation, mirrored it along the same midline of the frame, and dialed down the transparency so it is a ghost of its former self…
What sounds would you choose to accompany this digital poem?
I’ll post all four completed pieces, with soundtracks, in my fourth blog. Watch this space for curved kinetic typography, charcoal animation, and weird adventures in Audacity and AI…
If you’re a woman, a poet, and you live in Teesside, then why not apply to be the next TWP poet-in-residence at MIMA’s Towards New Worlds exhibition this autumn? Information and application form here.
Many people say to me, Kirsten, we know that otters love jazz, but what of otter politics? I reply that I am convinced most British otters would vote Corbyn, where the Californian Sea Otter community has come out strongly for Bernie Sanders. (Many have donated a few clams to his campaign fund).
Kirsten Luckins 