Hello! This is for anyone who would like to know what kind of stuff happened in my recent creative writing workshops for The Forge in Stanley. It’s also a bit about how poems might develop after such a workshop. If that’s not for you, then no worries, see you later xx
I recently ran two versions of the same workshop, one as an open public 3-hour workshop for Northern Writes Festival, and a shorter 2-hour version this morning for the Just For Women group. The basic structure was the same, but with 3 writing exercises in the longer version, 2 in the shorter session. In both, we start by drawing a map of somewhere we knew well as children. Over 30-45 minutes, we add on layers of details – street names and nicknames; people, animals, significant trees; places where stories happened to us and to others; urban legends; colours, sounds, textures and smells. It’s incredible how much detail you can recall using the technique of mapping.
Then we read a couple of example poems. I think of this bit as a choice between ‘landscape’ and ‘portrait’. The poems I’ve been using have been The Bight by Elizabeth Bishop, and Jean by my friend Jane Burn. We talk for a while about images, how to make them vivid, how to make verbs work hard for you. (Jean’s hair doesn’t curl, it ‘fizzes’, for example). Then we free write a landscape or portrait of our own, using the maps and their memories as our inspiration.
In the longer workshop I also ask people to try a short prose-poem or piece of flash fiction telling a real or imagined anecdote, and hand people some examples of ludicrous but real headlines to get them going. (One person in Stanley used this one – Ghost Hunters Stumble On Graveyard Porn Shoot). At some point we have tea. At the end we give our pieces a bit of spit-and-polish, talk about what editing we might do at home, share the bits we like so far. And then…
Well this is what happened to mine – huge frustration, followed by a couple of edits that got me quite close to a finished poem. It may not be brilliant, but it’s more interesting than versions 1 or 2. In my opinion.
Blackbirds
Sleek among the rotten
leaves are blackbirds
dandily stabbing
swallowing small things
whole; should a brother
wear a white patch
volleying pecks at him
(naturally to death)
other as he is to the Race
and Nation of Blackbird,
that reaches in the dark
to the outermost edges
of the next bird’s song.
I lied! There is one more showing of The Trouble With Compassion to come this year, because the fine folk of Stanley have booked me for the Northern Writes Festival next week. So if you’re in the vicinity at 4pm next Wednesday 7th December, please bob along to the Forge for some fun, film, poetry, music, musings, sketching, chocolates and clementines. 
Well, of course I should and shall still be trying to do my compassion meditation (although I am failing in dramatic style whenever I try to extend 
Hello, welcome, come in. What’s your name?
Kirsten Luckins 