The patina of old film – filmpoem week 5

This week a contribution from Bernie McAloon takes us back towards imagery of nature, but purple and grainy with age. The road up through trees is the ‘Bank’ and perhaps the ‘challenge’ mentioned in the verse, the tint of the film stock is the stain of the burst berries.

Cherophobia: an Autumn Journal from Joanna on Vimeo.

 

Next week is our midpoint, verse 6, and we would love you to contribute a 20-second clip of video that responds to the following text:

Renga 6

Here is your challenge – can you send us something that shows neither forks, nor pots, not vinegar, but still illustrates the mood of the poetry. Repetitive action, the suggestion of unspoken hostilities in the word ‘drown’?

Send your landscape-oriented footage to sleeperpoems@gmail.com by 5pm Friday 8 May!

Archive splices – filmpoem week 4

Our film-poem takes a new turn this week, as archive footage contributed by Wilf Wilson is spliced into the mix. When imagery of war appears inside the confines of what has so far been a domestic setting, what is the psychological impact? Where is this story going? Take a look at the film so far, and then read the verse for week five. We want your 20 second film clip to take us forwards!

Cherophobia: an Autumn Journal from Joanna on Vimeo.

Week 5 prompt is this –

Renga 5

We need 20 seconds of footage that reacts to this verse, but it doesn’t have to be a direct illustration of it. Bring us something that speaks of challenge, or bursting? Remember to film it in landscape orientation, and email it to sleeperpoems@gmail.com by 5pm on Friday 1st May.

 

How images and words collide – filmpoem week 3

This week’s clip is provided by Lilly Flypchuk, whose daily lockdown walk takes her along the banks of the upper Tyne.

Looking at how the film is progressing, it’s really interesting to notice how the mind forges links between the words of the text and images that may seem quite unconnected. In week one, there was a clear link between Ali’s film (light shining through a glass tumbler) and Jo’s words “dim light on a glass of brandy”, but also the way the light twisted and turned seemed to fit well with the text “incoherent babble”.

Natalie’s footage used spoons, which weren’t mentioned in Jo’s poem at all, but their silver shininess chimed with “kept for best”, the domestic nature of the object matched with “cupboarded”, and of course their Hall of Mirrors reflections gave us the “face…but folded”.

This week we see a river whilst reading “pond reeds” and our mind puts the sense impressions together. When the text gets to “fresh out of the cellophane” the transparent glisten of the water becomes the plastic wrapping – or it at least it did in my mind!

Have a look for yourself, and then please do spend 20 seconds this week recording a clip for verse 4, using these guidelines.

Week 4 prompt:

Renga 4

Finding the surreal in the domestic – filmpoem week 1

The collaboration continues with verse 2 of Jo Colley’s poem Cherophobia: An Autumn Journal (from her latest collection Sleeper) and a film clip supplied by Natalie Scott.

At the end of this 11-week renga, we will smooth out the final edit, record a definitive version of the vocal track, and add a unifying musical score. But for now, take a look at how the draft is developing…

…and then why not try your hand at a little phone-video-clip for the next verse? Read the full instructions for how to submit a piece of film, and the next verse awaiting your visual responses is right here.

Renga 3

 

Through a glass darkly – filmpoem week 1

Huge thanks to Alison Raybould, who provides us with the very first piece of video footage for this new collaborative project!

Take a look at what we’ve got so far:

You now have until 5pm this Friday 10th April to send us the next 20 second clip, responding to verse 2:

a face I know to be yours
but folded away, cupboarded
kept for best

Full info and instructions on how to submit your film snippet are here. Really looking forward to seeing what comes next in this visual daisy-chain!!

 

Join our film-poetry renga

Friends, I am delighted to invite you to contribute to a new digital project while we are all in lockdown, and hopefully beyond.

I have been asked by the wonderful poet Jo Colley to work with her on some activities to launch her fourth collection, Sleeper from Smokestack Books. It’s a glorious book full of double lives, Cold War spies, masked relationships, and emotional distances.

While we can’t bring you a physical launch (yet), we would very much like you to take part in a film renga. A renga is a long poem of linked verses that are created by several poets in collaboration,  under the guidance of a renga master. The renga master directs the flow of the chain, and will select each verse in turn from the selection put forward by the poets.

In our renga, we are providing you with a weekly prompt, which is a short verse from a long poem in the Sleeper collection. We are asking for a 20 second video clip that complements the text rather than directly illustrating it, and which also responds to the images already accrued. Each time we release a new prompt, we will also show you the film so far.

Here is your first prompt:

the table in your house
dim light on a glass of brandy
incoherent babble, justifications

And here are the instructions:

  1. Read the prompt
  2. Watch the film so far (applicable from week 2 onwards)
  3. Take a 20 second piece of footage (to allow for editing)
  4. Your video should contain images that complement the text, but not necessarily be a direct illustration of the images in the text
  5. Your video should be responsive to the feel of the composite film so far
  6. Please hold your device in landscape orientation when filming (like a TV screen)
  7. Please email your video to sleeperpoems@gmail.com
  8. Prompts and the film so far will be released every Monday for 11 weeks, and deadline for each week’s submission is 5pm every Friday

 

Get That Balance

We’ve reached the last Strange Prompt! Thirty whole new pieces of writing from me, with multiple contributions from 24 other poets and flash-fiction writers. It’s been a very satisfying outcome from my writing residency, and not at all what I expected. I’ve played with some fun techniques and poetic forms. I’ve written more flash fiction prose than I would ever normally do. I’ve been delighted by the quality of the shared writing, and very much enjoyed seeing some writers become slightly addicted to the prompts (Ann Cuthbert, I’m looking at you!). So thank you to everyone who has contributed, read, shared, commented and enjoyed this little project – I’ll see if I can come up with something great to follow.

Here’s my last one – just a little mesostic

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Thanks to Esther Bonner for this meditation on time…

Time passes..
Tick tock.
Seconds, minutes, hours.
Tick tock.
Birthdays, anniversaries,
work, pleasure.
Life never stops.
Tick tock.

The beating heart, like a clock.
Tick tock.
Life slips away.
So STOP!

Grab a moment to lift your face to the sun, let its warmth caress you.
Blow on a pearly white feather, watch it float idly on.
Rest your weary eyes.
Listen to the wind sigh on an Autumn breeze.
Trail your hand though a cool, fresh mountain stream.
Let your senses be cossetted and renewed by life.

Time passes..
Tick tock

Julie Easley has a great take on the subject, fierce and feminist as usual!

 

she was adorned with bruises

ornaments of torture bejewelled about her body

but it was her poise that goaded him

her sealed room approaches

 

The doll, she said,

won’t dress herself, won’t sit to attention,

the doll won’t respond

if you tell her she’s miserable

 

 

Infinite gratitude to Tony Gadd, martial art guru and spoken word powerhouse, who sends us this wisdom from the depths of his own current, very serious, health struggles…

Walking the tightrope of an ECG

An emotional and bodily state

Balance in life

Like balancing stones

A lifetimes work

Practice the key

Physical and mental equilibrium

Unsettled by other

Forces and influences

Rebalance essential

Eyes closed, breathe and just be…

 

The Last House Of The Last Passenger

I had a vibe in mind for this prompt, an atmosphere, a sort of fin-de-Anthropocene gloom that I wanted to evoke with my deathless prose. Then I read this incredible flash fiction by Sharon Telfer, realised I could never do any better, and took to my fainting couch for a week.

But I rallied! And did my best, with this COVID-19-inspired flash.

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Very happy to welcome a new contributor, Ann Whiting, with this short story:

The last house of the last passenger

He barricaded himself in, said it was his home and no one was going to take it from him; still strong enough to drag two-by-four wooden planks from the garden, he hammered six inch nails into their depths. Soon he would fly on angel’s wings to his beloved’s home and she’d greet him as she’d always had with a smile as alluring and warm as freshly baked bread. One hug from her and he was healed.

She’d died there, in his arms, and he needed to know she’d know where to find him when his time came. There was nowhere else he was going to die.He’d prepared his exit carefully, stopped the medication weeks ago. The cut backs in health care were a godsend to him. No one checked on  him daily anymore. He’d fallen through the net. 

His heart fluttered weakly now, the exertion had after all taken its toll so he rested in the chair, dreaming of her face lying close to his once more. This would be his last home and he would be the last passenger out of here. The last one to take flight on angel’s wings. He slept in his cosy armchair, dozing lightly. When  the angel came, it looked like her, so he flew away with her into the blue sky and never looked back. 

Beneath him, the authorities were breaking down his door to remove him to a ‘place of safety,’ also known as a Care Home, before the demolition men could be moved into the street, his street, where his children had played. 

They found him in his favourite chair as if asleep, smiling as if at some  private joke. He’d checked himself out, taken flight and evaded their control. The last passenger had departed his home on his own terms, not theirs, and there was a sense of triumph for him at least in that. 

Outside, the engines of the bull-dozers growled waiting to leap into action but  now there’d have to be an investigation into his death which would delay the demolition by months at least. Time enough for questions to be raised about the purchase of the land and their methods and perhaps for the truth to come to light…

The last passenger’s intentions began to immediately take flight. 

Please also enjoy this poem from Caroline Walling, in which the Earth speaks to the last human…

This it is.
Time to leave.

Could I not?

No 
I’m tired of you riding my back
Spinning my axis for you
Get off
This is your final time

               But my home is with you.
             It’s always been this way.

How your memory is thin!

                       But you are my world!

Not any more
    Please leave

                         But why?     

 I needed time
You wasted it
wasted me.
I’m no longer your prize
Your infinite  feast

        Please, get off.

                        Where shall I go?

Where they all go
         In the end,
  From where they came,
and I shall be the happier for it.

Now please
 it’s time to leave.

And I’m delighted to have a poem from Jane Burn too!

The poor, the sick and the needy are already dispersed, dissolved,
divided up or dead. They will not be going forward into our Pure New World.
Did you think those sci-fi films were wrong? They were premonitions.
We super-rich got our heads together many years ago to shield ourselves
from such what ifs. Put our money where our mouths were. Why d’you think
we never really seemed to care enough while the Earth blazed and water
reclaimed the land? Remember Noah? That big blot on the horizon is our Ark.
This is our Plan B and yet I cannot help but want this one last glance,
barren and blistered though this place be. So I took the last in a long line
of temporary tents, have watched the loading of our privileged exodus.
Survival of the fittest, you see. Fat Cats will always land upon their feet.
We will be angels, mounting a ramp that rests on the slain the ones
that tried, with their pauper’s hope and ruined bones, to join the Chosen Few
and now waste, with bullet addled skulls and bloody skins beneath our feet.

I walk away from the camp the last place I ever lived, on this planet,
at least. Wind snatches at silk like a lover gone wrong, snaps at the hold
of guy ropes, takes shreds of it into wasted air to remind the sky of birds.

O! Son Of Trauma

The mental image that inspired my poem for this prompt is a photograph taken at Bhopal, after the catastrophic chemical plant explosion. (The image I mean is number 7 in this article, but please be warned it is an image of a dead child and very upsetting, don’t go there if you don’t want that in your mind).

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I’m extremely happy to be joined today by two more excellent poems. This one is by the wonderful Finola Scott:

He arrived late, but smelt so sweet
and forty years later he does it again
My bold boy, the Prodigal, I joke
to his sister. Her and I smile & sigh.

Today we high-wind hurtle city to city
across Scotland’s belted waist. He says
The Icelandic Symphony Orchestra play
capitally. As musician after musician
crowds the stage we giggle, so many tails.
Honey brass gleams, chestnut cellos wait
for sap-rise. He nudges, points at the timpani.

Then it soars, I’m swept into fiords, ice
melts, sea eagles swoop, glaciers calve.
Side by side we voyage out of ourselves
into each other.

And this one is donated by the equally wonderful Harry Gallagher:

The Sea

Today I almost gave my glasses to the sea
but the sea said no,
it could see where things were headed
and the ebb and the flow
hadn’t lost my address
it had just looked the other way
for a moment.

Today I tried to throw my stick into the sea
but the sea tossed it back
with a million tonnes of plastic,
said it was too full up for now
but if I stuck around
for at least another day
it could do with a hand itself.

Today I shot my slings at the sea wall
but all that came back
was an echo of a wave
as ancient as time,
a reminder that tomorrow is a choice
that will happen with or without
the sound of my voice.

Today I unloaded my woes to the sea.
The rage and the spray
of a world of injustice
was carried away on the westward wind
that battered and dropped me
then propped me back up
to await the turn of the tide.

 

Radical Handy-Arms

Oh this was one of my favourite mis-translations, from all the way back at the beginning of this project! Here’s my effort, a little complaint from a bloke with growing political anger issues.

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The prompt also inspired Jules Clare, who has donated this poem, also flavoured with politics:

DMs on hardy feet
White socks under Docs
Gathering in circles
Skin head flocks

We don’t need
this Facist Groove Thing
Crushed by the wheels
of British industry

A free trade deal
A Statute of Liberty
Dead in the water
Donald and The Peach

Lest we forget
Iranian arms widespread
A life in arms
Radical, handy and ultimately unseen