Join our film-poetry renga

Friends, I am delighted to invite you to contribute to a new digital project while we are all in lockdown, and hopefully beyond.

I have been asked by the wonderful poet Jo Colley to work with her on some activities to launch her fourth collection, Sleeper from Smokestack Books. It’s a glorious book full of double lives, Cold War spies, masked relationships, and emotional distances.

While we can’t bring you a physical launch (yet), we would very much like you to take part in a film renga. A renga is a long poem of linked verses that are created by several poets in collaboration,  under the guidance of a renga master. The renga master directs the flow of the chain, and will select each verse in turn from the selection put forward by the poets.

In our renga, we are providing you with a weekly prompt, which is a short verse from a long poem in the Sleeper collection. We are asking for a 20 second video clip that complements the text rather than directly illustrating it, and which also responds to the images already accrued. Each time we release a new prompt, we will also show you the film so far.

Here is your first prompt:

the table in your house
dim light on a glass of brandy
incoherent babble, justifications

And here are the instructions:

  1. Read the prompt
  2. Watch the film so far (applicable from week 2 onwards)
  3. Take a 20 second piece of footage (to allow for editing)
  4. Your video should contain images that complement the text, but not necessarily be a direct illustration of the images in the text
  5. Your video should be responsive to the feel of the composite film so far
  6. Please hold your device in landscape orientation when filming (like a TV screen)
  7. Please email your video to sleeperpoems@gmail.com
  8. Prompts and the film so far will be released every Monday for 11 weeks, and deadline for each week’s submission is 5pm every Friday

 

Get That Balance

We’ve reached the last Strange Prompt! Thirty whole new pieces of writing from me, with multiple contributions from 24 other poets and flash-fiction writers. It’s been a very satisfying outcome from my writing residency, and not at all what I expected. I’ve played with some fun techniques and poetic forms. I’ve written more flash fiction prose than I would ever normally do. I’ve been delighted by the quality of the shared writing, and very much enjoyed seeing some writers become slightly addicted to the prompts (Ann Cuthbert, I’m looking at you!). So thank you to everyone who has contributed, read, shared, commented and enjoyed this little project – I’ll see if I can come up with something great to follow.

Here’s my last one – just a little mesostic

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Thanks to Esther Bonner for this meditation on time…

Time passes..
Tick tock.
Seconds, minutes, hours.
Tick tock.
Birthdays, anniversaries,
work, pleasure.
Life never stops.
Tick tock.

The beating heart, like a clock.
Tick tock.
Life slips away.
So STOP!

Grab a moment to lift your face to the sun, let its warmth caress you.
Blow on a pearly white feather, watch it float idly on.
Rest your weary eyes.
Listen to the wind sigh on an Autumn breeze.
Trail your hand though a cool, fresh mountain stream.
Let your senses be cossetted and renewed by life.

Time passes..
Tick tock

Julie Easley has a great take on the subject, fierce and feminist as usual!

 

she was adorned with bruises

ornaments of torture bejewelled about her body

but it was her poise that goaded him

her sealed room approaches

 

The doll, she said,

won’t dress herself, won’t sit to attention,

the doll won’t respond

if you tell her she’s miserable

 

 

Infinite gratitude to Tony Gadd, martial art guru and spoken word powerhouse, who sends us this wisdom from the depths of his own current, very serious, health struggles…

Walking the tightrope of an ECG

An emotional and bodily state

Balance in life

Like balancing stones

A lifetimes work

Practice the key

Physical and mental equilibrium

Unsettled by other

Forces and influences

Rebalance essential

Eyes closed, breathe and just be…

 

The Last House Of The Last Passenger

I had a vibe in mind for this prompt, an atmosphere, a sort of fin-de-Anthropocene gloom that I wanted to evoke with my deathless prose. Then I read this incredible flash fiction by Sharon Telfer, realised I could never do any better, and took to my fainting couch for a week.

But I rallied! And did my best, with this COVID-19-inspired flash.

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Very happy to welcome a new contributor, Ann Whiting, with this short story:

The last house of the last passenger

He barricaded himself in, said it was his home and no one was going to take it from him; still strong enough to drag two-by-four wooden planks from the garden, he hammered six inch nails into their depths. Soon he would fly on angel’s wings to his beloved’s home and she’d greet him as she’d always had with a smile as alluring and warm as freshly baked bread. One hug from her and he was healed.

She’d died there, in his arms, and he needed to know she’d know where to find him when his time came. There was nowhere else he was going to die.He’d prepared his exit carefully, stopped the medication weeks ago. The cut backs in health care were a godsend to him. No one checked on  him daily anymore. He’d fallen through the net. 

His heart fluttered weakly now, the exertion had after all taken its toll so he rested in the chair, dreaming of her face lying close to his once more. This would be his last home and he would be the last passenger out of here. The last one to take flight on angel’s wings. He slept in his cosy armchair, dozing lightly. When  the angel came, it looked like her, so he flew away with her into the blue sky and never looked back. 

Beneath him, the authorities were breaking down his door to remove him to a ‘place of safety,’ also known as a Care Home, before the demolition men could be moved into the street, his street, where his children had played. 

They found him in his favourite chair as if asleep, smiling as if at some  private joke. He’d checked himself out, taken flight and evaded their control. The last passenger had departed his home on his own terms, not theirs, and there was a sense of triumph for him at least in that. 

Outside, the engines of the bull-dozers growled waiting to leap into action but  now there’d have to be an investigation into his death which would delay the demolition by months at least. Time enough for questions to be raised about the purchase of the land and their methods and perhaps for the truth to come to light…

The last passenger’s intentions began to immediately take flight. 

Please also enjoy this poem from Caroline Walling, in which the Earth speaks to the last human…

This it is.
Time to leave.

Could I not?

No 
I’m tired of you riding my back
Spinning my axis for you
Get off
This is your final time

               But my home is with you.
             It’s always been this way.

How your memory is thin!

                       But you are my world!

Not any more
    Please leave

                         But why?     

 I needed time
You wasted it
wasted me.
I’m no longer your prize
Your infinite  feast

        Please, get off.

                        Where shall I go?

Where they all go
         In the end,
  From where they came,
and I shall be the happier for it.

Now please
 it’s time to leave.

And I’m delighted to have a poem from Jane Burn too!

The poor, the sick and the needy are already dispersed, dissolved,
divided up or dead. They will not be going forward into our Pure New World.
Did you think those sci-fi films were wrong? They were premonitions.
We super-rich got our heads together many years ago to shield ourselves
from such what ifs. Put our money where our mouths were. Why d’you think
we never really seemed to care enough while the Earth blazed and water
reclaimed the land? Remember Noah? That big blot on the horizon is our Ark.
This is our Plan B and yet I cannot help but want this one last glance,
barren and blistered though this place be. So I took the last in a long line
of temporary tents, have watched the loading of our privileged exodus.
Survival of the fittest, you see. Fat Cats will always land upon their feet.
We will be angels, mounting a ramp that rests on the slain the ones
that tried, with their pauper’s hope and ruined bones, to join the Chosen Few
and now waste, with bullet addled skulls and bloody skins beneath our feet.

I walk away from the camp the last place I ever lived, on this planet,
at least. Wind snatches at silk like a lover gone wrong, snaps at the hold
of guy ropes, takes shreds of it into wasted air to remind the sky of birds.

O! Son Of Trauma

The mental image that inspired my poem for this prompt is a photograph taken at Bhopal, after the catastrophic chemical plant explosion. (The image I mean is number 7 in this article, but please be warned it is an image of a dead child and very upsetting, don’t go there if you don’t want that in your mind).

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I’m extremely happy to be joined today by two more excellent poems. This one is by the wonderful Finola Scott:

He arrived late, but smelt so sweet
and forty years later he does it again
My bold boy, the Prodigal, I joke
to his sister. Her and I smile & sigh.

Today we high-wind hurtle city to city
across Scotland’s belted waist. He says
The Icelandic Symphony Orchestra play
capitally. As musician after musician
crowds the stage we giggle, so many tails.
Honey brass gleams, chestnut cellos wait
for sap-rise. He nudges, points at the timpani.

Then it soars, I’m swept into fiords, ice
melts, sea eagles swoop, glaciers calve.
Side by side we voyage out of ourselves
into each other.

And this one is donated by the equally wonderful Harry Gallagher:

The Sea

Today I almost gave my glasses to the sea
but the sea said no,
it could see where things were headed
and the ebb and the flow
hadn’t lost my address
it had just looked the other way
for a moment.

Today I tried to throw my stick into the sea
but the sea tossed it back
with a million tonnes of plastic,
said it was too full up for now
but if I stuck around
for at least another day
it could do with a hand itself.

Today I shot my slings at the sea wall
but all that came back
was an echo of a wave
as ancient as time,
a reminder that tomorrow is a choice
that will happen with or without
the sound of my voice.

Today I unloaded my woes to the sea.
The rage and the spray
of a world of injustice
was carried away on the westward wind
that battered and dropped me
then propped me back up
to await the turn of the tide.

 

Radical Handy-Arms

Oh this was one of my favourite mis-translations, from all the way back at the beginning of this project! Here’s my effort, a little complaint from a bloke with growing political anger issues.

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The prompt also inspired Jules Clare, who has donated this poem, also flavoured with politics:

DMs on hardy feet
White socks under Docs
Gathering in circles
Skin head flocks

We don’t need
this Facist Groove Thing
Crushed by the wheels
of British industry

A free trade deal
A Statute of Liberty
Dead in the water
Donald and The Peach

Lest we forget
Iranian arms widespread
A life in arms
Radical, handy and ultimately unseen

Resplendent Incisors

When I was writing to this prompt, I really wanted to do something about the tiger who broke her front tooth and had it replaced with a gold one, but everything I tried turned out a bit – dunno, but wrong. So I did what I often do when I feel lacking, I tried out a form, a set of rules to play by. In this case, a Terrance Hayes A Gram of &s-type exercise. 11 lines, last word of each line must be found anagrammatically within the words of the title, 4+ letter words only, no pluralisation. I’m not saying the resulting poem is any great shakes, but it did come together with the little click that says ‘poem’ to me.

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If you’d like to try your own A Gram of &s poem, or any sort of piece playing with anagrams of this title, here’s my most interesting word list so far – what others can you find?

INCITE   RILE  SLICE  SORREL  SPLEEN   SPLENETIC   RINSE   SCISSOR   CORPSE   ROOST   CREST   STRIPE   INCISE   SPINDLE   SPIRE   INSPIRE   SPINE   STELE   STEEL   TREND   REPENT   INDENT   SPITE   SPORT   PORTER   PRESENT   PINCER   PRINCE   INTERRED   RESPECT   TINDER   SCREED   SECRET   SECRETE   CREED   REPEL   RISEN   RENNET   CRISP   CREPE   ROPED   DINNER   DINE  DINER   TINE  SITE   TENSE   CREDIT   SEER

Update! Ann Cuthbert found some more anagrams, and wrote this superb Gram of &s with them, about Mayan jade teeth…

Lady of Teotihuacan, you rise,
bones stripped but breath not spent,
while Kukulkan writhes, peers
from your mouth, from green serpentine
tooth, tartared and worn before the cist
claimed your corpse. Jade priestess,
you are the passageway, you entice
the serpent-god to emerge, spirit
up a wind, conjure ancestor-gods in rite
of resurrection. Green in your jaw, he sleeps.
At your summoning, he stirs.

From Which Precision, Despite It All, We Are Sentient

I really struggled with this Strange Prompt, and found I wanted to do something that warped and played with language sounds first, and meaning second. Then I was reading Stress Fractures, a great book of essays from Penned In The Margins, and was reminded by Ross Sutherland’s essay about the potential for multiple Google-translations to invoke creative weirdification. So, I

  1. Looked up definitions of sentience
  2. Found a couple of quotes about animals, and race, including one by Jeremy Bentham
  3. Smooshed them together and ran the text through Google translate into several languages (Igbo, Shona, Maori, etc) and back into English
  4. Made the final version into a poem

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Big thanks also go to Jules Clare, for this contribution:

Your experienced senses
Have their recompenses
In past and present tenses
Sitting on stable fences

Feathered winded eyes
Deceived by precise lies
Everything and everyone dies
Supermarket Sweep buys

Resplendent incisors taste
Portuguese Paella paste
Fluffy dough to baste
Interlopers lunch in waste

Sometimes I feel your touch
Flagrantly too much
I ignore emotional feelings; I am butch
I am living life, not in a rush

I always listen hard
I’m a poet, a bard
Reading from a scripted card
Placing an audience off guard

I often smell like Hell
I’m saved by the bell
From a personal prison cell
Others find it hard to tell

I am into personal space
Losing it is a disgrace
Winning an indescribable race
Vanishing with a trace

I rely on my balance
Connected to my parlance
I am in the mood to dance
I prance and take a chance

I have experienced senses
They can’t break down my defences
Committing personal offences
They will suffer sensual consequences

 

 

The Marketplace of Earth and Barricades

Today’s Strange Prompt took my mind into dystopian territories once again – I hope you enjoy this small prose-poem, and the following donated poems…

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Big thanks to Claire Trevien for this poem (Claire, I can’t find the correct accent for your ‘e’, or to say desolee!)

I leave the earth of sober antlers.

The red sky enters another red sky.

Paper gems and torn varnish.

The earth is abstract textiles.

There is a die that only listens to you,

I leave the ball of rope & its tape of warm hellos.

And another stunning gift from Ann Cuthbert, who has really got into these prompts!

You’re asking for the earth? This is the place –
you won’t find better prices anywhere.
And check out the variety we’ve got.
This planet? Will you look at all that blue!
And what a shape! A sphere. OK not quite.
I’ll knock a coupla quid off if you like.
Too big? Well what about this pedosphere?
That’s soil to you, love – skin of the earth I call it.
Loose or friable or packed or firm.
We’ve got the lot in sacks, buckets and barrows.
Something more stylish? Earthworks are so cool.
Everybody’s getting into these.
The ditch, the trench, the rampart, motte or fogou.
I’ll do you two for one, whaddya say?
Not interested? Well, not quite what you asked for –
But barricades are on the up-and-up.
Get your cement blocks here, sandbags, cobbles.
Defend your neighbourhood, block off your street.
Delay the movement of opposing forces.
Battle the isms and archys of oppression.
Go on, what’s there to lose? You won’t regret it.
We’ve got everything you need to make a stand.

 

The Lift And Aspirations Of The Line

I have a confession to make. I’ve done something a bit creepy. (It wasn’t meant to be creepy).  Ages ago, I followed someone on Twitter. I don’t know them in real life, and I’ve never interacted with their account, but someone recommended them as being ‘wholesome’, and I needed some benign influences on my feed. So, they are benign, just Tweeting their everyday, BUT ALSO they have a natural iambic pentameter going on in their Tweets. It’s like little bits of poetry. Their throwaway posts have the lift and lilt that my poetic lines aspire to….so I nicked 14 of them and made a ‘found sonnet’. Creepy Twitter stalker sonnet. Sorry not sorry.

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Mercifully, I am not the only one who has gone all ‘found poetry’ on this prompt! (Interesting….?) Here’s a lush one from Ann Cuthbert.

Dull battleship grey or goldish ochre.
If cold, it can be tough to cut.
Placing it in sun softens it, makes cutting easier.
Blades give different styles of cut,
narrow and deep, broad and shallow.
An accidental slip, a nasty gouge.
How deep to cut? A Goldilocks moment.
Too shallow and it fills up, too deep, you risk a hole.
Sacrifice a piece to try the blades.
You’ll soon get a feel for what’s just right.
Deeper and shallower lines, straight and curved.
Short, long, little stabs, jerking sideways.
What’s been cut away and what remains?
You didn’t mean to cut that part away.

(phrases lifted from ‘Getting started with lino printing’ Marion Body Evans)

Paper Trail

We’re over half way through these Strange Prompts, and storming along! I absolutely LOVED today’s contribution, from Caroline Walling…

Scattered white across the floor,

rejected shapes,

massacred trees,

corners missing;

scarred from ill equipped fingers

snip, snip, snip.

Imagination confetti (discarded or arranged?)

spoke from the carpet

I’ve been busy.

She followed trials of rejects up the stairs

drawn by a gentle song about

snipping paper trees for Muuumyyy.

Losing the trail at the door

she leaned in.

A moment to observe:

cherub fingers busy

cheeks blown out

busy brow

buried under costume layers

snip, snip, snip;

paper snow,

paper rain,

paper dolls,

snip, snip, snip;

paper shapes,

paper lengths,

paper points.

That gaze outshines constellations

her smile launches a thousand ships.

Mummy, trees for you.

Thank you my darling

They are beautiful.

 

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And here’s my true tale, written in the chaos of January – the traditional, annual Tax Returns Panic!

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