What to do with a blank page, and why?

Creativity is always a leap of faith. You’re faced with a blank page, blank easel, or empty stage. – Julia Cameron, author of The Artist’s Way

I’m currently a writer-in-residence at mima, Middlesbrough’s Institute of Modern Art. Well, so what? I hear you say. Congrats and custard to you, I bet you’re very happy with yourself. But, BUT, friends – there are no terms to this residency! I have to decide for myself what to do and when to do it by. This is quite different from when I was poet-in-residence at Hartlepool History Then And Now, gathering and re-telling WW1 maritime tales. This is a teensy bit terrifying. What on earth am I going to do?

WeBelieveAnything

Some background? Ok. Last year I was accepted on to the Writers Block North East novel-writing bootcamp, a year-long programme during which, if participants so choose, they may supplement their frantic novel-writing with a self-generated side hustle at mima. My side hustle is this –

I will use archive documents relating to artworks in the Middlesbrough collection as source material to inspire blackout, erasure and found poetry, plus a load of other digital and multimedia approaches like stop-motion films and collage.

If you follow my Insta, you’ll know that these are all things I do for fun. They’re not my ‘real’ writing. (Whatever that means, imposter-critic-head-voice) I mean, writing is writing and I’m a writer, right? (WHATEVER THAT MEANS, IMPOSTER-CRITIC-HEAD-VOICE!) So why do I do them in the first place? And why choose to do them more?

I do them
1. To keep myself creatively active through times of block and mental exhaustion
2. To retain playfulness as a creative principle
3. To get some wiggle-room into the idea of ‘writing’ by crossing disciplines and media
4. To activate my subconscious and surprise myself
5. To activate my subconscious and recognize patterns of thought, association, values

So, by making techniques the focus of this residency, I hope to
1. Make work on a broad and unexpected range of subjects
2. Make work whose forms and materials are influenced by both the source texts and the artworks to which they refer
3. Experiment with a really wide range of techniques, and fail as interestingly as possible
4. Learn to use new equipment and digital methods
5. Say hi to a new bunch of people via the mima Insta account

PoemsHelpDriverlessVehiclesBut YOU lovely lot are going to get more than just an Insta post. I’m going to take you with me while I work out what the heckitty-heck to do, and if you have had any similar experiences of setting up your own residency in any artform at all, you’d better believe I’d LOVE to hear about it. Have you blogged about it? Send me links! I’ll quote you! What’s your process, your practise, your advice?

Tune in next week-ish for some Gold/Yellow collage, a process video in which my belly features far too prominently, and me fangirling somewhat about Lubaina Himid. And follow @mimauseful on Insta, please and thank you.

2 thoughts on “What to do with a blank page, and why?

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