Sonorous Passageways

Last one of this little batch! For my piece today, I started thinking about resonant spaces inside us that enable us to make sounds. A tiny flash fiction about a washed-up opera singer popped into my head, so here it is for your entertainment.

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Once again, the brilliant Ann Cuthbert has been having fun with these prompts – we’ve begun to joke that we should co-author a pamphlet of them. Listen to the music in this one…

Sonorous passageways

Sometimes a thousand twangling instruments will hum about my ears – Caliban, The Tempest

The tunnel curves like bangles round an arm.

Spiders dangle, dumb; spin jungles.

Rain thrums on corrugations, strums angles.

What’s coming?

Thumbs tingle. You’re following crumbs,

wangling a way out. Keep schtum.

Candle tumbles. Shadows gangle.

Huge thanks also to first-time contributor to this Strange Prompts projects, Alison Curry, with this lovely poem:

With shielded ears
The echoes rise
Dust awakened
Stings the eyes

Seeking out
Within narrow walls
Gasps of air
Muted calls

A glint of light
From a memory when
The harshness
Wasn’t- all was right

Beyond the darkness
Dust clears to light

The Marketplace of Earth and Barricades

Today’s Strange Prompt took my mind into dystopian territories once again – I hope you enjoy this small prose-poem, and the following donated poems…

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Big thanks to Claire Trevien for this poem (Claire, I can’t find the correct accent for your ‘e’, or to say desolee!)

I leave the earth of sober antlers.

The red sky enters another red sky.

Paper gems and torn varnish.

The earth is abstract textiles.

There is a die that only listens to you,

I leave the ball of rope & its tape of warm hellos.

And another stunning gift from Ann Cuthbert, who has really got into these prompts!

You’re asking for the earth? This is the place –
you won’t find better prices anywhere.
And check out the variety we’ve got.
This planet? Will you look at all that blue!
And what a shape! A sphere. OK not quite.
I’ll knock a coupla quid off if you like.
Too big? Well what about this pedosphere?
That’s soil to you, love – skin of the earth I call it.
Loose or friable or packed or firm.
We’ve got the lot in sacks, buckets and barrows.
Something more stylish? Earthworks are so cool.
Everybody’s getting into these.
The ditch, the trench, the rampart, motte or fogou.
I’ll do you two for one, whaddya say?
Not interested? Well, not quite what you asked for –
But barricades are on the up-and-up.
Get your cement blocks here, sandbags, cobbles.
Defend your neighbourhood, block off your street.
Delay the movement of opposing forces.
Battle the isms and archys of oppression.
Go on, what’s there to lose? You won’t regret it.
We’ve got everything you need to make a stand.

 

More Precious Than Prattle

There’s something about this Strange Prompt that just begs for nonsense ditties, alliteration, and a tigger-like bounce to the scansion. Mine is pretty meaningless, but scroll down for a beautiful love poem from Susie McComb…

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Here is Susie’s far superior take on the prompt:

I know it’s mundane for the moon to wane

I know it’s routine for the stars to gleam
I know I’ll sound trite if I speak of the night
And the fire, and the fear and the far candlelight
But my head’s feeling tight, so I thought that I’d write
Though my gut’s feeling taut at the thought of our fight
And my poetry’s glib as the tinkle of nib
Against inkwell, and simple as baby’s first fib
I’d just like you to know, in the midst of our battle
You’re more lovely than cliché
More precious than prattle.

And here is the ever-wonderful Ann Cuthbert, who has bilingual grandchildren!

Lily speaks Espanglish

¡Oye Mammy! ¡Mira Grandad!
I Lily. Quiero cheese and pan.
I do it ¡síííí! Tú nooooo!
¡Mira! A espider. I escared.
¡Mala! I want chuches. Please.
Watch dibujos, Dora the Explorer.
¡Yá está!

The Lift And Aspirations Of The Line

I have a confession to make. I’ve done something a bit creepy. (It wasn’t meant to be creepy).  Ages ago, I followed someone on Twitter. I don’t know them in real life, and I’ve never interacted with their account, but someone recommended them as being ‘wholesome’, and I needed some benign influences on my feed. So, they are benign, just Tweeting their everyday, BUT ALSO they have a natural iambic pentameter going on in their Tweets. It’s like little bits of poetry. Their throwaway posts have the lift and lilt that my poetic lines aspire to….so I nicked 14 of them and made a ‘found sonnet’. Creepy Twitter stalker sonnet. Sorry not sorry.

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Mercifully, I am not the only one who has gone all ‘found poetry’ on this prompt! (Interesting….?) Here’s a lush one from Ann Cuthbert.

Dull battleship grey or goldish ochre.
If cold, it can be tough to cut.
Placing it in sun softens it, makes cutting easier.
Blades give different styles of cut,
narrow and deep, broad and shallow.
An accidental slip, a nasty gouge.
How deep to cut? A Goldilocks moment.
Too shallow and it fills up, too deep, you risk a hole.
Sacrifice a piece to try the blades.
You’ll soon get a feel for what’s just right.
Deeper and shallower lines, straight and curved.
Short, long, little stabs, jerking sideways.
What’s been cut away and what remains?
You didn’t mean to cut that part away.

(phrases lifted from ‘Getting started with lino printing’ Marion Body Evans)

After Other Utopias Are Planted

I love this prompt! It’s brought some really gorgeous poems out of the woodwork; this one by Hannah Mackay…

after other utopias are planted

the seedbank must be replenished.

please bring the wing-flutter of a bluetit
on the verge of
flying into your living-room window;

the third eyelash from the edge
of your upper right eyelid;

or a similar item of your own choosing,
to be scrutinised,
and possibly adopted,

by our volunteers.

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…and this one by Ann Cuthbert.

There’s always been a problem finding it.

Nova Insula Utopia.

Ambrosius’s map is picturesque/grotesque,

Flags flutter on turrets, his ship of teeth grins white.

But accuracy never was his forte.

Plus, someone coughed over the co-ordinates – 

longitude and latitude drowned out in hacking,

directions written in a conlang we can’t crack,

invalid postcodes, GPS malfunctions,

misled by SatNav that sets you back-of-beyond,

no lifesigns except that craze-eyed sheep.

No wonder so few have ever made it.

Now they’re saying other utopias have been planted,

or at least their stories have – whether they’ll take

hold’s another matter. Truth or false news?

We’re still being duped, still kept in the dark.

You too could have a short micro-poem or flash fiction featured for one of the remaining prompts – just message me at imeldasays at gmail dot com with your creation!

For Love Of The Rebellious Traveller

As I write this blog, I am without contributors for the 14th prompt – for the first time since I started this project. Don’t let this happen again. go to the full list of strange prompts and send me something for #19, #20, #23, #25, #26, #28, #29 or #30?

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Hah! Fooled you! I put out a heartfelt cry on the Book of Faces, and the very splendid Ann Cuthbert took pity on me, sending in this piece – which is immeasurably better than mine!

For love of the rebellious traveller 

(Ynes Mexia 1870-1938)

In these photographs she frowns from makeshift jungle desk, inches across a chasm-spanning log, dangles her legs over Grand Canyon’s rim. 

Why did I love her? Nothing daunted her. 

So slight, so unassuming, my Ynes. But tough as the boots she bushwacked in – they told her women couldn’t, especially not old ones, so she thought she better had – for thirteen years, from Alaska to Tierra del Fuego, canoeing the Amazon, camping in bogs, collecting her beloved specimens.

She didn’t really need me, preferred solitude, but I tagged along, braved earthquakes, sideways rain, unwashed hair, took photographs while she took measurements, made notes. 150,00 plants, 500 new species, 50 named after her.

‘I have a job now,’ she said. ‘I produce something real and lasting.’ This rebellious traveller I loved.

Then I received this lovely poem from Julie Easley

She left notes,
scribbles of self
scattered about.
She spoke of secrets,
symbols and strangers,
said so much more
than she should.
Its for love, she wrote,
for the wanderlust souls
to light their way
They became tokens,
her notes, for the rebellious
amongst us. Snippets
of sentences
that sent travellers
to tread ever deeper.
Step gently, she told them,
step further, but always gently.

The Peripatetic School

Welcome to the Peripatetic School! Are you paying attention, class? We will start with a flash fiction from Ann Cuthbert, to be read in your best Miss Jean Brodie voice:

Hello? Mrs Harris-Tottle, Chair of Governors, speaking.

Yes, it has gone walkabout again. Prime Mover knows where we’ll find it this time. At least it waited until everyone had left before it sauntered off. Well, I say everyone. Mr Temperance was in the boiler room – oh yes, that’s true – at least the heating will still be on – and Honor had stayed to put a display up.

Let’s hope it’s ambled over flattish ground. Remember when it tried to climb Roseberry Topping? ‘Seeking the moral high ground’ was its excuse, though how it could justify the mess I do not know. Classrooms tipped sideways, tech toppled, staffroom topsy-turvey, all the cups mixed up. If only it had some sense of balance.

No, I’ve given up asking ‘Why?’ Goes against the grain but there you have it.

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Mine is a dystopian acrostic (not something you hear every day!)

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And I leave you with a gentler invitation, from Caroline Walling:

Walk with me awhile so that we might talk.

Your mind is a riddle I would like to solve.

Let us answer the clues together so that we might know one another better

Perhaps along the way we might share an anecdote or two.

Shall we start with the theory or the facts?

If you’d like to know what we’re up to, or to join in with your own poems, check out all thirty prompts and learn how I made them up via convoluted means as part of my writing residency at Middlesbrough Institute of Modern Art…

Seafood Handbag

First week done! Thank you if you’ve read along every day with my Brigida Baltar prompts – I’m going to take a short break after this one to offer you a review of a new poetry pamphlet from Ink Sweat & Tears, so please stay tuned. And if you’d like to write something of your own in response to any of the remaining prompts, please do, and please send it to me to be featured! (imeldasays at gmail dot com)

In the meantime, here’s another prose/poem/flash thing from my notebook of experiments.

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Bonus features! A very short and wicked story from Iain Rowan:

A seafood handbag works like this.

First you take an old bag you might not miss – you know, in case of leaks – and line it with a freezer bag – you know, to try and stop the leaks – and then you fill it full of frozen prawns. Fold the plastic over, and close your bag up tight, because you don’t want to be chased by cats, or at least not tonight.

Then when you’re at the dinner party, you smile sweetly like you don’t know what she has done to you and every time you excuse yourself to the bathroom you open up your seafood handbag and you push those tiny prawns:

in the little cracks in their wooden stairs
where you can bend the panel under the bath back just a little
inside the brass curtain pole on the landing
to rest on the wooden frame at the back of the pictures of Degas ballerinas on the stairs
in that hidden hollow behind the pedestal of the graceful sink
deep into the dish of scented pinecones
between the slats of the bathroom extractor fan
under that edge of hall carpet that lifts just so

and at the end of the night you say goodnight like you still don’t know what she has done to you and you complement her on how lovely her house smells and is it those Jo Malone sticks and she says yes, lime basil and mandarin, I’ve always felt it’s so important that a house smells lovely, and you smile and say yes, you’ve always thought so too.

And this little gem from Lisette Auton

If my accessories were made of food I should never be scared of hunger, but fearful of the scorn of supermarket staff when I need to buy another bag as I wipe the remains of mine from the corner of my mouth

And this tongue-in-cheek piece from Ann Cuthbert

Fishing for more compliments? Feel your style’s become a bit washed up?

Surfacing on the trendscape, winkling its way into Mega-influencers’ wardrobes, what Instagram is going starfish-eyed about – The Seafood Handbag.

Warm the cockles with a range of classic maritime-cuisiney styles:

The oversized bait-bucket bag is scuttling sideways off the shelves. Boiled lobster pink’s a best seller or, for something just as shiny but with a grittier edge, get it in oystershell.

Social media won’t clam up about Fruit de Mer’s cross-body jellyfish purse in pulsating purple (£315) while Sushi’s fishtail multi-porpoise tote (£795) is to krill for with scalloped storage pockets, appliqued sequin shrimps and crispy kelp handles.

Don’t want to shell out quite so much?

Mariscos do a version, cheap as moules frites but just as style conch-ious, at £21.99.

So you don’t need to be the abalone one without one this season. Go net the Seafood Handbag today.

More pun-tastic fun from Caroline Walling! I hope you enjoy all the contributions here. Tune in on Monday for tales and poems ‘In Search Of The Miraculous’.

Cod you do with another bag, not just another bag but a bag like no other that you have ever had? 

This deep bag, cool blue, sea green, crystal edged, foam white, crisp tight bag. 

You can clam it securely and the scaled-up pockets make it just right for the important things.

Beach side, pool side, town or city this bag is the life and sole of the party

You’ll look quite a catch, carrying this bag!

Crab some style and nip over to our website or shops

So, you can net yourself one of the best served bags in town!

Happiness With Rice

Nearing the end of the first week of obscure writing prompts developed by me messing around with homophonic translations of Portuguese phrases in the fine art CV of multimedia artist Brigida Baltar, because what else does one do when one is writer-in-residence inside a modern art gallery’s archive files??

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First up, a lovely tiny poem from Lisette again

She explains for the hundredth time as she sets the timer and steam wefts its course along kitchen wall to ceiling cloud. I pretend not to remember so that I can savour her voice.

A poem from Hannah McKay

I’m not too keen on the slimy slippiness of macaroni cheese;
pebbles in the mouth poppiness of peas;
noxious fumes of cod and salmon;
lump-throat gristly-ness of gammon;
unplumbed depths in a bowl of soup;
or creamy sloppy potato gloop.
Give me clean tastes, coriander, spice
black beans and lime
finding happiness with rice.

A great folkloric piece from Ann Cuthbert

You think to slow me down, to counter
my attack but I enjoy it –
it’s the only time I get some proper peace.

You scatter grains, sprinkle seeds, leave sacks of rice.
Once it was a bag of salted nuts.
I can’t resist, have to turn back.

The rhythmic repetition calms me as I count.
Sometimes I vary language – thirteen, pandrah,  achtzein, douăzeci –
I’m a polyglot, I’ve got the knack.

You’ve called me many names across the ages –
foul fiend, Lilith, Nosferatu, Drac.
But the one that makes me happiest is Arithmomaniac.

(Folklore from many countries says that a vampire can be stopped by sprinkling seeds, grain or rice in its path because it has a compulsion to count them.)

And then mine, a fictionalised micro-memoir set in 1996 Hong Kong.

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