A fascinating turn in the imagery this week, as new contributor Anathema McKenna picks up on the cut paper strips of week 7 and turns them into an abstraction. The choppy rhythm and ‘prison bar’ effect of the collaged lines is unexpected yet effective in conveying the actions and atmosphere of the verse, without ever becoming a direct illustration of the words.
We’d love to see your ideas for what might come next in this multi-authored film!
The verse you have to respond to is this:
To help you get started, please do read this earlier blog about how to generate ideas for imagery, and this one about common mistakes to avoid.
Send your films to email@example.com by 5pm on Friday 29th May – thank you!
This week’s clip is provided by Lilly Flypchuk, whose daily lockdown walk takes her along the banks of the upper Tyne.
Looking at how the film is progressing, it’s really interesting to notice how the mind forges links between the words of the text and images that may seem quite unconnected. In week one, there was a clear link between Ali’s film (light shining through a glass tumbler) and Jo’s words “dim light on a glass of brandy”, but also the way the light twisted and turned seemed to fit well with the text “incoherent babble”.
Natalie’s footage used spoons, which weren’t mentioned in Jo’s poem at all, but their silver shininess chimed with “kept for best”, the domestic nature of the object matched with “cupboarded”, and of course their Hall of Mirrors reflections gave us the “face…but folded”.
This week we see a river whilst reading “pond reeds” and our mind puts the sense impressions together. When the text gets to “fresh out of the cellophane” the transparent glisten of the water becomes the plastic wrapping – or it at least it did in my mind!
Have a look for yourself, and then please do spend 20 seconds this week recording a clip for verse 4, using these guidelines.
Week 4 prompt:
The collaboration continues with verse 2 of Jo Colley’s poem Cherophobia: An Autumn Journal (from her latest collection Sleeper) and a film clip supplied by Natalie Scott.
At the end of this 11-week renga, we will smooth out the final edit, record a definitive version of the vocal track, and add a unifying musical score. But for now, take a look at how the draft is developing…
…and then why not try your hand at a little phone-video-clip for the next verse? Read the full instructions for how to submit a piece of film, and the next verse awaiting your visual responses is right here.
Huge thanks to Alison Raybould, who provides us with the very first piece of video footage for this new collaborative project!
Take a look at what we’ve got so far:
You now have until 5pm this Friday 10th April to send us the next 20 second clip, responding to verse 2:
a face I know to be yours
but folded away, cupboarded
kept for best
Full info and instructions on how to submit your film snippet are here. Really looking forward to seeing what comes next in this visual daisy-chain!!
Friends, I am delighted to invite you to contribute to a new digital project while we are all in lockdown, and hopefully beyond.
I have been asked by the wonderful poet Jo Colley to work with her on some activities to launch her fourth collection, Sleeper from Smokestack Books. It’s a glorious book full of double lives, Cold War spies, masked relationships, and emotional distances.
While we can’t bring you a physical launch (yet), we would very much like you to take part in a film renga. A renga is a long poem of linked verses that are created by several poets in collaboration, under the guidance of a renga master. The renga master directs the flow of the chain, and will select each verse in turn from the selection put forward by the poets.
In our renga, we are providing you with a weekly prompt, which is a short verse from a long poem in the Sleeper collection. We are asking for a 20 second video clip that complements the text rather than directly illustrating it, and which also responds to the images already accrued. Each time we release a new prompt, we will also show you the film so far.
Here is your first prompt:
the table in your house
dim light on a glass of brandy
incoherent babble, justifications
And here are the instructions:
- Read the prompt
- Watch the film so far (applicable from week 2 onwards)
- Take a 20 second piece of footage (to allow for editing)
- Your video should contain images that complement the text, but not necessarily be a direct illustration of the images in the text
- Your video should be responsive to the feel of the composite film so far
- Please hold your device in landscape orientation when filming (like a TV screen)
- Please email your video to firstname.lastname@example.org
- Prompts and the film so far will be released every Monday for 11 weeks, and deadline for each week’s submission is 5pm every Friday