O! Son Of Trauma

The mental image that inspired my poem for this prompt is a photograph taken at Bhopal, after the catastrophic chemical plant explosion. (The image I mean is number 7 in this article, but please be warned it is an image of a dead child and very upsetting, don’t go there if you don’t want that in your mind).

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I’m extremely happy to be joined today by two more excellent poems. This one is by the wonderful Finola Scott:

He arrived late, but smelt so sweet
and forty years later he does it again
My bold boy, the Prodigal, I joke
to his sister. Her and I smile & sigh.

Today we high-wind hurtle city to city
across Scotland’s belted waist. He says
The Icelandic Symphony Orchestra play
capitally. As musician after musician
crowds the stage we giggle, so many tails.
Honey brass gleams, chestnut cellos wait
for sap-rise. He nudges, points at the timpani.

Then it soars, I’m swept into fiords, ice
melts, sea eagles swoop, glaciers calve.
Side by side we voyage out of ourselves
into each other.

And this one is donated by the equally wonderful Harry Gallagher:

The Sea

Today I almost gave my glasses to the sea
but the sea said no,
it could see where things were headed
and the ebb and the flow
hadn’t lost my address
it had just looked the other way
for a moment.

Today I tried to throw my stick into the sea
but the sea tossed it back
with a million tonnes of plastic,
said it was too full up for now
but if I stuck around
for at least another day
it could do with a hand itself.

Today I shot my slings at the sea wall
but all that came back
was an echo of a wave
as ancient as time,
a reminder that tomorrow is a choice
that will happen with or without
the sound of my voice.

Today I unloaded my woes to the sea.
The rage and the spray
of a world of injustice
was carried away on the westward wind
that battered and dropped me
then propped me back up
to await the turn of the tide.

 

Radical Handy-Arms

Oh this was one of my favourite mis-translations, from all the way back at the beginning of this project! Here’s my effort, a little complaint from a bloke with growing political anger issues.

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The prompt also inspired Jules Clare, who has donated this poem, also flavoured with politics:

DMs on hardy feet
White socks under Docs
Gathering in circles
Skin head flocks

We don’t need
this Facist Groove Thing
Crushed by the wheels
of British industry

A free trade deal
A Statute of Liberty
Dead in the water
Donald and The Peach

Lest we forget
Iranian arms widespread
A life in arms
Radical, handy and ultimately unseen

Resplendent Incisors

When I was writing to this prompt, I really wanted to do something about the tiger who broke her front tooth and had it replaced with a gold one, but everything I tried turned out a bit – dunno, but wrong. So I did what I often do when I feel lacking, I tried out a form, a set of rules to play by. In this case, a Terrance Hayes A Gram of &s-type exercise. 11 lines, last word of each line must be found anagrammatically within the words of the title, 4+ letter words only, no pluralisation. I’m not saying the resulting poem is any great shakes, but it did come together with the little click that says ‘poem’ to me.

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If you’d like to try your own A Gram of &s poem, or any sort of piece playing with anagrams of this title, here’s my most interesting word list so far – what others can you find?

INCITE   RILE  SLICE  SORREL  SPLEEN   SPLENETIC   RINSE   SCISSOR   CORPSE   ROOST   CREST   STRIPE   INCISE   SPINDLE   SPIRE   INSPIRE   SPINE   STELE   STEEL   TREND   REPENT   INDENT   SPITE   SPORT   PORTER   PRESENT   PINCER   PRINCE   INTERRED   RESPECT   TINDER   SCREED   SECRET   SECRETE   CREED   REPEL   RISEN   RENNET   CRISP   CREPE   ROPED   DINNER   DINE  DINER   TINE  SITE   TENSE   CREDIT   SEER

Update! Ann Cuthbert found some more anagrams, and wrote this superb Gram of &s with them, about Mayan jade teeth…

Lady of Teotihuacan, you rise,
bones stripped but breath not spent,
while Kukulkan writhes, peers
from your mouth, from green serpentine
tooth, tartared and worn before the cist
claimed your corpse. Jade priestess,
you are the passageway, you entice
the serpent-god to emerge, spirit
up a wind, conjure ancestor-gods in rite
of resurrection. Green in your jaw, he sleeps.
At your summoning, he stirs.

Sonorous Passageways

Last one of this little batch! For my piece today, I started thinking about resonant spaces inside us that enable us to make sounds. A tiny flash fiction about a washed-up opera singer popped into my head, so here it is for your entertainment.

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Once again, the brilliant Ann Cuthbert has been having fun with these prompts – we’ve begun to joke that we should co-author a pamphlet of them. Listen to the music in this one…

Sonorous passageways

Sometimes a thousand twangling instruments will hum about my ears – Caliban, The Tempest

The tunnel curves like bangles round an arm.

Spiders dangle, dumb; spin jungles.

Rain thrums on corrugations, strums angles.

What’s coming?

Thumbs tingle. You’re following crumbs,

wangling a way out. Keep schtum.

Candle tumbles. Shadows gangle.

Huge thanks also to first-time contributor to this Strange Prompts projects, Alison Curry, with this lovely poem:

With shielded ears
The echoes rise
Dust awakened
Stings the eyes

Seeking out
Within narrow walls
Gasps of air
Muted calls

A glint of light
From a memory when
The harshness
Wasn’t- all was right

Beyond the darkness
Dust clears to light

House of Abasement

Ah! A little something dark and twisted comes flowing forth today, from me and from my two contributors. Enjoy this very Strange Prompt…

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From Julie Easley, a poem:

I thought I might be dead

waking up in this shrunken room.

The walls seem elastic

to my touch, bending with my body,

as if breathing on their own.

A small window beckons me,

desperate as I am for light,

for signs I am living.

There is movement, a momentary

glimpse of hope as images

flash before my eyes.

But I am just a mirror,

a reflection of my past, playing

out on repeat until I learn.

And from Jo Colley, a prose-poem:

It’s so light, but there are no windows: the light comes from a series of ultra violet bulbs, giving the impression of daylight. Light making an effort to emulate the sun, to be real, to improve your sense of well-being. But the effort is too great. And there’s nothing to hide under or behind: all open plan, wooden floorboards, floor cushions. You feel so exposed. It makes you want to prostrate yourself face down on the tasteful rug and list every one of your inadequacies. You suspect this might take some time.

Delicious!!

 

The Subtle Vertigo Of Images

The most vertiginous image I could think of is that one by Escher of the dimension-defying staircases, so that is the starting inspiration for my poem today.

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Taking up my anagrammatic challenge from earlier in this series, Ann Cuthbert has this poem for you all:

Vertigo is the illusion of motion/Artists create illusory motion in their images
Poem (unsubtly) written using only letters from the words illusory motion
Slut soul, you mourn in ruins,
slum it, slit, torn.
Sin runs sly, rots
musty in unlit rooms.
Loins sour, unlusty.
Moon’s lost story looms.

From Which Precision, Despite It All, We Are Sentient

I really struggled with this Strange Prompt, and found I wanted to do something that warped and played with language sounds first, and meaning second. Then I was reading Stress Fractures, a great book of essays from Penned In The Margins, and was reminded by Ross Sutherland’s essay about the potential for multiple Google-translations to invoke creative weirdification. So, I

  1. Looked up definitions of sentience
  2. Found a couple of quotes about animals, and race, including one by Jeremy Bentham
  3. Smooshed them together and ran the text through Google translate into several languages (Igbo, Shona, Maori, etc) and back into English
  4. Made the final version into a poem

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Big thanks also go to Jules Clare, for this contribution:

Your experienced senses
Have their recompenses
In past and present tenses
Sitting on stable fences

Feathered winded eyes
Deceived by precise lies
Everything and everyone dies
Supermarket Sweep buys

Resplendent incisors taste
Portuguese Paella paste
Fluffy dough to baste
Interlopers lunch in waste

Sometimes I feel your touch
Flagrantly too much
I ignore emotional feelings; I am butch
I am living life, not in a rush

I always listen hard
I’m a poet, a bard
Reading from a scripted card
Placing an audience off guard

I often smell like Hell
I’m saved by the bell
From a personal prison cell
Others find it hard to tell

I am into personal space
Losing it is a disgrace
Winning an indescribable race
Vanishing with a trace

I rely on my balance
Connected to my parlance
I am in the mood to dance
I prance and take a chance

I have experienced senses
They can’t break down my defences
Committing personal offences
They will suffer sensual consequences

 

 

The Marketplace of Earth and Barricades

Today’s Strange Prompt took my mind into dystopian territories once again – I hope you enjoy this small prose-poem, and the following donated poems…

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Big thanks to Claire Trevien for this poem (Claire, I can’t find the correct accent for your ‘e’, or to say desolee!)

I leave the earth of sober antlers.

The red sky enters another red sky.

Paper gems and torn varnish.

The earth is abstract textiles.

There is a die that only listens to you,

I leave the ball of rope & its tape of warm hellos.

And another stunning gift from Ann Cuthbert, who has really got into these prompts!

You’re asking for the earth? This is the place –
you won’t find better prices anywhere.
And check out the variety we’ve got.
This planet? Will you look at all that blue!
And what a shape! A sphere. OK not quite.
I’ll knock a coupla quid off if you like.
Too big? Well what about this pedosphere?
That’s soil to you, love – skin of the earth I call it.
Loose or friable or packed or firm.
We’ve got the lot in sacks, buckets and barrows.
Something more stylish? Earthworks are so cool.
Everybody’s getting into these.
The ditch, the trench, the rampart, motte or fogou.
I’ll do you two for one, whaddya say?
Not interested? Well, not quite what you asked for –
But barricades are on the up-and-up.
Get your cement blocks here, sandbags, cobbles.
Defend your neighbourhood, block off your street.
Delay the movement of opposing forces.
Battle the isms and archys of oppression.
Go on, what’s there to lose? You won’t regret it.
We’ve got everything you need to make a stand.

 

More Precious Than Prattle

There’s something about this Strange Prompt that just begs for nonsense ditties, alliteration, and a tigger-like bounce to the scansion. Mine is pretty meaningless, but scroll down for a beautiful love poem from Susie McComb…

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Here is Susie’s far superior take on the prompt:

I know it’s mundane for the moon to wane

I know it’s routine for the stars to gleam
I know I’ll sound trite if I speak of the night
And the fire, and the fear and the far candlelight
But my head’s feeling tight, so I thought that I’d write
Though my gut’s feeling taut at the thought of our fight
And my poetry’s glib as the tinkle of nib
Against inkwell, and simple as baby’s first fib
I’d just like you to know, in the midst of our battle
You’re more lovely than cliché
More precious than prattle.

And here is the ever-wonderful Ann Cuthbert, who has bilingual grandchildren!

Lily speaks Espanglish

¡Oye Mammy! ¡Mira Grandad!
I Lily. Quiero cheese and pan.
I do it ¡síííí! Tú nooooo!
¡Mira! A espider. I escared.
¡Mala! I want chuches. Please.
Watch dibujos, Dora the Explorer.
¡Yá está!

Other Flowers

After a little hiatus while I caught my breath, I’m back with the next few Strange Prompts.

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Esther Bonner has donated a set of near-haikus to bring in the spring.

Springtime has arrived.
Daffodils dance, dash and dive.
Vibrant tulips thrive.

Fragrant sweet peas flower.
Marigolds outlast hot Summer days.
Bold hydrangeas bloom.

Autumnal colours flash.
Fiery pom-pom heads of dahlias dash.
Coppery-pink Mespilus splash.

Cyclamen brighten dull days.
Sturdy pansy faces Winter winds.
Crocus, snowdrop emerge.

I love this one from Katharine Goda, it tugs at my heart in gentle but persistent ways.

Tulips – red purple yellow –
a bubbled glass of blue sky.

Mummy? Why is
just this one dying?

Chance, bruised heart,
or just not strong enough.

She lifts it, waxy, sighing
beside bright brothers.

In the garden  
it might come alive?

The big world widens.
I plant her in my lap,

watch trapped light,
promise compost.