For my response to prompt number 4 of 30, I decided to write a golden shovel. This means that each of these words are used in turn as the last word of each line of my poem. It’s a wonderful brain-bending exercise that I recommend to anyone wanting to push their creative brain out of its ruts.
It seems I’m not alone in thinking about pavlovas – here’s a snippet from Lisette Auton.
I read this as pavlovas and wondered what meringue had to do with anything and then remembered meringues with homemade ice-cream in a kitchen warm with love and from a stomping beach walk. Meringues have everything to do with everything.
God loves an independent bookshop, yes she does, especially the self-help section. Independent bookshops are places of love and beauty, so small that thirty people assembled for an author talk is as good as a stadium crowd. (The best ones, like mine, also have a coffee machine.)
I loved the extract she read (enough to buy the book), but it was the Q&A session that delivered treasure – because, dear Reader, I am that unhappiest of creatures, a First-Time Aspiring Novelist.
Here are the marvellous titbits of inspiration I took from Steph’s talk, all of which I will immediately try to apply to my writing life:
1. There are no RULES for the writer’s working day, only PREFERENCES
Oh joy, you mean I’m not failing if I haven’t written 1000 words by 8am? No! Steph works when she feels most able to sit down and focus on the work. As it happens, for her that is first thing. A 2-hour morning might yield 1000 words that would take twice as long to squeeze out if she started in the afternoon. BUT – if the morning is taken up with other, unavoidable things, then a long afternoon of writing will happen. The woman has professional persistence.
2. 1000 words a day for 3 months = “a bad first draft”
I love that “bad”. If I could fixate on completion at the expense of perfection, I might be in with a shot of writing this damn thing!
3. Novels will bring their own ways of being written
Now, I’m working with a formulaic genre (cosy crime), which Steph is not, but I still found it inspiring to hear how each time she writes a novel she comes up with a different way of ‘how to write a novel’. This current book was meticulously planned using a spreadsheet. Her previous book, ‘The Curious Heart Of Ailsa Rae‘, was written in a huge outpouring and then sculpted into shape. It’s OK for me to not know exactly how to write this first book of mine. Even better, it will be OK for me not to quite know how to write the next one, and the next – better to be interested in the process than the product!
4. Don’t read inside your own genre while you’re writing
I’ve been a reading a lot of my genre, because as a first-time writer I need to spend a bit of time working out how it’s done. But now that I’m into the actual writing, I can see the sense of giving my brain some space. Should probably lay off the cosy crime TV dramas, too! Steph reads Young Adult fiction, and dystopian fiction, so this could be a great excuse for me to widen my reading landscape.
5. Editing is great, but after a while you’re not making the book better, you’re making it a different book.
I haven’t reached this stage yet, but I’m going to bear it in mind when I do…
And the bonus bit of info is this:
6. The presenter for uber-macho TV show Top Gear was actually Angela Rippon!
*’The Woman In The Photograph’ is a story about feminism and fierce friendship. It is out now from Zaffre Books and if you buy it online via Hive then you can nominate a local bookshop to collect it from. The bookshop receives a small fee. This is massively better for authors and booksellers than going to Amazon, but doesn’t make it any more expensive for you – please make Hive a habit!