For my response to prompt number 4 of 30, I decided to write a golden shovel. This means that each of these words are used in turn as the last word of each line of my poem. It’s a wonderful brain-bending exercise that I recommend to anyone wanting to push their creative brain out of its ruts.
It seems I’m not alone in thinking about pavlovas – here’s a snippet from Lisette Auton.
I read this as pavlovas and wondered what meringue had to do with anything and then remembered meringues with homemade ice-cream in a kitchen warm with love and from a stomping beach walk. Meringues have everything to do with everything.
Here’s my situation.
I’m a white woman, a nobody writer, an amateur at art. I’m writer-in-residence at mima, testing out some found poetry techniques on their archive documents.
The artist whose file I’m currently working on is Lubaina Himid. A black woman, a lifelong activist for the empowerment of black artists specifically and black people universally, an internationally-acclaimed artist, a Turner Prize-winner.
I know for a fact that nothing I do will go down in history.
But I do not know for a fact that Himid’s magnificent achievements absolutely, positively will go down in history. They bloody should. Mima wants to be part of making sure they do. But history has a nasty tendency to white-wash. Might be something to do with who gets to write it…
The picture I’m responding to is all about the white-washing of history, and how it perpetuates systemic racism. The subject of the painting is Toussaint L’Ouverture, leader of the Haitian Revolution, who in his lifetime was as famous as Napoleon.
Any English person has at least heard of Napoleon, right?
Have you heard of L’Ouverture?
I took Himid’s biography, and made a stop-motion erasure called Black Disruption/White Wash. It’s supposed to be a comment on the thoughts I’ve written above. I’m not sure it works, and if you want to comment then please do. But please, please, as well as reading this blog (thanks if you’ve got this far) it’s way more important that you have a look at Himid and her phenomenal career.
Next week I’ll post my final thoughts on this section of my residency, and show you the bits that went a bit Pete Tong…